Blog
Meet our artists: Ballet Theatre of Maryland
Young Audiences’ roster of artists continues to grow to encompass new artists, ensembles, and art forms, from slam poets to improvisers to Capoeira masters.
We’ll be regularly posting interviews with our artists, giving them a chance to share more about themselves and their experiences bringing their Young Audiences programs to schools. We recently sat down with Dianna Cuatto of Ballet Theatre of Maryland.
How did you first hear about Young Audiences?
My predecessor joined Young Audiences before I came to Ballet Theatre of Maryland 12 years ago, and it was my first experience with the organization. Other dance companies that I worked with hadn’t done anything like it, so I did my research and found that I really liked Young Audiences’ mission statement and philosophy. When I completed my first Teaching Artist Institute (TAI) seminar, I found it very helpful for connecting education with art to help students better their lives.
What has been the most memorable part of the programs you’ve brought to students with Young Audiences?
Seeing the impact the arts can have on so many lives is the most memorable part. When we go out to schools, we see how it touches the lives of the students we are able to either perform for or work with during an arts-integrated artist-in-residence program. We have learned so much from Young Audiences and have gained tools that we use in our other educational program offerings, too.
There are a lot of students who have never had exposure to ballet. Do you find that bringing classical ballet to schools can be a unique opportunity for students?
Absolutely. Whenever I ask a school what they hope the students will get out of a program, they want their students to have that exposure to a real ballet. One thing that Ballet Theatre of Maryland does that’s different from other ballet companies I’ve been a part of is that we actually bring a real ballet to the students so they can have that experience. It’s very rewarding and our dancers enjoy doing it. The students express how much they love it. Some students may never have known that they enjoy ballet if they hadn’t been exposed to it during one of our programs at their school.
How does your art form connect students to what they are learning in school?
We do a lot of literary and historical pieces. For example, our assembly “Pirates of the Chesapeake” is based on pirate history. We also have an assembly, “A Midsummer Night’s Dream,” and other programs that may relate to what they are studying in school. There is also the production of excerpts from “Excalibur” which we call the “Medieval Festival.” We mirrored it after a mini-Renaissance festival so students get experience with coats of arms and other material they learn about from that time period through dance.
How do the lessons and skills you teach students through your art form apply to their everyday lives outside of the classroom?
It seems that everything we do relates to their everyday lives. Our most popular assembly, “An American Journey through Dance,” teaches students about the many different cultures in our country. They are able to experience aspects of those different cultures through dance. There is something about the emotions and passions through the expression of dance that provides tools to understand each other, which is a very powerful thing for all of us. There is a culture embedded in all of the art that we do, and it is our place to pass it on.
What is the most rewarding aspect of being a Young Audiences roster artist?
One aspect would be the opportunity to see what other colleagues are doing, and how they are using the arts to impact children. Just being a part of the roster and being involved with different schools to see what children are able to gain through our programs is so rewarding. When you put all of the roster artists together, it creates a great tapestry of wonderful things students are able to experience in all of our different areas.
Why do you believe dance specifically–or the arts in general–is important for every student to have access to?
Our motto is: “Dance is a language more powerful than words.” No matter what language children speak, they can understand what you’re saying through dance. This is true for many art forms. We can communicate and break down barriers through that powerful language. It’s not just that studies show how art impacts students and helps them learn, it’s that we know the arts engage students in all of the senses, allowing them to experience it first-hand so they learn more intensely. When something engages all of your senses, it is easier to remember and apply it to other areas or circumstances. Art provides all of the learning tools that different children need because they learn in different ways.
Learn more about Ballet Theatre of Maryland’s offerings through Young Audiences.
Keep an eye out for more artist interviews! See all artist interviews to-date here.
Celebrating 2014 at Young Audiences
We’ve been counting down to 2015 by reflecting on the highlights of the past year on our Facebook page. From another successful Taste the Arts gala to our move into a new home to celebrating Maryland Young Audiences Arts for Learning Week, it has been quite a year. Head on over to Facebook to see other highlights and add some of your own by using the hashtag #LookBack2014.
Thank you for your continued support of Young Audiences as we work to transform lives and education through the arts in Maryland. Here’s to 2015!
Communicating through Hip Hop
By Bomani, Young Audiences teaching artist and Hip Hop poet
Before my recent residency with fourth-graders at Scholars K-8 in Baltimore County began, the teachers I worked with–Mrs. Brumbalow, Ms. Barnes, and Ms. Hicks–had prepared the students for my arrival. When I walked through the door on the first day, the students recognized me and treated me like a rock star, so I knew I had to make a meaningful impact.
At the beginning of a residency, there are three writing rules I give students:
- Artists don’t make mistakes, they make discoveries.
- Do not edit in your head.
- The only wrong answer is a blank answer.
Students are oftentimes drilled to memorize answers in order to score highly on assignments. Sometimes they become paralyzed with fear when asked their opinion, so I try to loosen them up to think creatively. Young people need to have freedom to develop an idea out loud without self-doubt and to not fear right or wrong answers.
I worked with the Scholars K-8 teachers to create a series of Hip Hop writing workshops to strengthen students’ comprehension skills. In the two weeks I was at the school, students wrote songs about the writing process, how to count money and use decimals, as well as climate and how humans affect the environment.
The initial challenge was getting students excited about writing. They were energized by Hip Hop poetry writing because it’s a style of music they admire beyond the school setting.
Once they got used to the idea that we weren’t looking for one correct answer, they felt free to say what they were thinking. There was one student in particular whose reading and comprehension skills were not where they should have been for his grade level. One of his teachers revealed that this residency was one of the few opportunities where he felt confident enough to answer questions because he could take his time and work through his ideas out loud. Each day he was fighting through the door for the front seat, and his self-esteem was boosted each time he answered a question.
During an exercise, we discussed the music video “Me, Myself, and I” by De La Soul which includes symbolism about self-acceptance. The light bulb went off for many students, who immediately related to trying to fit in or be cool. They realized that at some point, you have to validate yourself without caring about the opinion of others. To see them react to that song, and have students come in the next day writing lines I didn’t assign, was a very powerful feeling. They were using art to reflect their realities and project their hopes for the future.
There was one point during the residency that I had to put my “teacher” foot down when a student became disruptive while we were writing the chorus of a song. Students that age can struggle with differentiating positive and negative attention, but when we got down to the last line, that student raised his hand and offered a new idea to our brainstorming session. The line was exactly what we needed and the whole class recognized him for it. To be validated like that after being reprimanded showed him that we wanted him to participate and be a part of the team, but in a constructive way.
This residency strengthened their class bonds by allowing students to collaborate and recognize each other’s talent. Even students who often had problems dealing with their classmates or paying attention were invested. They appreciated each other’s creativity and when they were put into groups to write on their own, they just took off.
One of the main complaints I get from young people is that they aren’t understood. My response is always that they need to improve their communication. The ability to speak, write, and create art in a way that others can comprehend is something students latch onto, and they internalized the techniques I gave them. We would brainstorm an idea, flesh out a paragraph on this idea, and then break the paragraph into a rhyme. While writing the song, they formulated introductory and supporting paragraphs. Before they knew it, they had completed an essay. The process made them realize how much they want this skill. One student gave me a poster she made outside of class time with an anagram for my name. Her classmates loved it so much they all signed it and gave it to me. I still don’t think I’ve come down from that high.
Learn more about Bomani and his programs for schools at yamd.org.
December smART Tip from Christina Delgado
In our December smART Tip, Young Audiences visual artist Christina Delgado shares how to organize a photo scavenger hunt for students that can easily be tailored to connect with any subject or unit. Learn how to get started with this fun activity in the short video below.
[youtube http://youtu.be/rWIGPp_NTOs?list=PLUssR-3GtBZfiKXpU72zQAkgXh3wBcBzQ]
smART Tips is a monthly video series sharing tips for educators who are interested in new, creative ways to use the arts in their classroom with students. See all smART Tips to date here. Interested in a specific topic? Let us know!
Exploring Earth’s treasures
Photos and content were originally posted on Daneytt Tucker’s blog “Daj’zha Vu” here and here.
This fall, Young Audiences visual artist Danyett Tucker worked with John Hanson Montessori middle school students to create a mural that now brightens their school hallway.
The theme for the eight, two- by four-foot wood panels is “Earth’s Treasures.” Danyett explains how the project began:
“I Googled “earth’s treasures” and found [the poem] ‘A Lunar Lament’ by Ann Pedtke. After I read the poem to the class for inspiration, I asked them to imagine that they were the moon looking down upon the earth, marveling at its treasures. What treasures would make you a jealous moon? They came up with some great sketches, which I pieced together into our mural composition, all from the moon’s perspective.”
The four week-long residency was a powerful experience for all involved. Danyett writes, “I am so proud of the students at John Hanson Montessori. They are creative, focused, and fun! They made me feel like a part of their family.”
Read more about this residency (and see photos from all stages of the project!) on Daneytt’s blog “Daj’zha Vu” here and here.
Meet our artists: Mark Lohr
Young Audiences’ roster of artists continues to grow to encompass new artists, ensembles, and art forms, from slam poets to improvisers to Capoeira masters.
We’ll be regularly posting interviews with our artists, giving them a chance to share more about themselves and their experiences bringing their Young Audiences programs to schools.
How did you hear about Young Audiences? What made you decide to become a roster artist?
I started my apprenticeship with Theatricks Theatre Company, where my performing mentor had a show as a Young Audiences roster artist. I took a break from performing for a bit, and when I decided to come back I immediately thought of Young Audiences as a great organization to work with because of my past experience. I have been on the roster for about 10 years now.
Can you tell us a little bit about your art form?
My art form is Vaudeville-style physical comedy. During the performances, I interact with the audience nonverbally and become a combination of circus clown, comic actor, juggler, and magician.
The creation of vaudeville is such an influential time in our history. Entertainment was revolutionized for the vaudeville stage, and technologies were invented to make shows more impressive using special effects, lighting, and more. We don’t have an opportunity to see that style of slapstick, nonverbal comedy anymore.
How do the lessons and skills you teach students through your art form apply to their everyday lives outside of the classroom?
During a vaudeville performance, students have to listen more with their eyes than ears. They have to interpret what my character is communicate without words and respond accordingly. Sitting there and taking it in with all their senses gets them involved. In a typical theatrical performance, there is a “fourth wall.” There is a performance or show, but the audience is on the other side of that fourth wall so there is no interaction. I put the wall behind the audience so each performance is a new experience–you never know what you’re going to get with each crowd that comes in.
The performance becomes a shared memory for students. It’s multi-cultural and multi-generational entertainment. You bring a school together with a performance where they laugh and have a great time. They share that wonderful memory, and can relate to each other more because of it.
Why do you believe theater is important for every student to have access to?
Vaudeville is such an important era in our history that we shouldn’t forget. It has a great significance in our culture today. Television shows like “America’s Got Talent” and “The Voice” follow in the tradition of vaudeville.
But a live performance is so important because, all too often, many students’ primary performance venue is a television or movie theater. There is nothing wrong with these things, but when you go to a live performance you’re immersed and surrounded by it so that you become a part of it. I feel that it is my job to reach out to schools and students who may never have the opportunity to see a live professional performance. In our education, it’s extremely important to give students that experience.
How does your art form help connect students to what they are learning in school?
“Hooked on Books” is my reading program where the audience has to listen and develop a response to everything I do. The main lesson I want them to walk away with is that books are more than stories, they are also gateways to new skills! I also share that it is OK to experience failure because to learn a new skill you have fail. The idea that failure isn’t a bad thing, but a part of the process, is a wonderful lesson.
What has been the most memorable part of the programs you’ve brought to students with Young Audiences?
From a performance standpoint, to be able to engage these students and have them become a part of my performance is a wonderful gift to me, and it’s my gift to them. They are laughing, responding to what I’m doing, enjoying the moment, and not thinking about what’s going to happen in the next hour.
In my residency, “America’s Got Vaudeville,” I talk about the significance of vaudeville and teach its skills and comic techniques. Our goal is to put on a show at the end. When I see there is a student who sits out in the corner not quite fitting in, I can reach out to them and teach him or her juggling or plate-spinning, and see his or her whole person change. They discover they have a new talent and skill and can share it with their classmates. Their peers begin to see each other in a different light and overcome social and cultural boundaries. They share a common bond. The look on students’ faces when they succeed in a new skill for the first time is a huge reward for me.
What is the most rewarding aspect of being a Young Audiences roster artist?
Young Audiences gives me the opportunity to share gifts that were given to me. My mentor gave me this knowledge with the one caveat of having to share it. It’s so important for me to have different venues where I can go out and give it away, and can see people walking away with a piece of the gift that was given to me. It impacts people’s lives, and I’m grateful that Young Audiences allows me to do that.
Learn more about Mark Lohr’s offerings through Young Audiences.
Keep an eye out for more artist interviews! See all artist interviews to-date here.
Drawing it out
By Cyan McMillian, seventh-grade student, Windsor Hills Elementary/Middle
My name is Cyan McMillian and I am a seventh grader at Windsor Hills. I’d rather throw a football than paint my nails (seriously). I felt like a free spirit until my tenth birthday–which was the worst day ever. I was excited but made the mistake of not bringing enough cupcakes for the whole class. One girl–the drama queen–decided to take out her frustrations on me. She waited until we got in the cafeteria and took a mixture of yogurt, milk, juice, and water and poured it over my head in front of everyone. On my birthday! Everyone who saw it laughed. Even the adults. I was so hurt and embarrassed that I ran out of the cafeteria in tears.
I never wanted any friends after that. The more I tried to be myself the more I would get picked on. Bullies targeted me for all the ways that I was different–my weight, my clothes, and my love for school.
My parents signed me up for the Baltimore City summer learning academy, the summer before middle school started. I like math and science, but I was most interested in the art classes provided by Young Audiences. See, I don’t get to enjoy the liberties of art during the school year. Having art every day during the summer was a treat because I got to make new friends, I learned how to use the color wheel, how to make 2D pictures become 3D pictures.
Watch Cyan share her story at Young Audiences’ Impact Breakfast event earlier this month!
My art class was taught by Young Audiences teaching artist, Danyett Tucker. She played a song by Lauryn Hill called “Everything is Everything,” and asked us to illustrate what the lyrics meant to us. I love that song. It was like math because my hands and brain were working at the same time to solve a problem. I was able to express myself without being judged in a way that was fun and challenging. I learned from Ms. D that there is no “right” or “wrong” when it comes to art.
Ms. D believed in me and gave me the confidence to believe in myself. She let me come to her when I needed someone to talk to and gave me helpful advice when I was stuck. I was free to be who I am again, which made me feel like my old happy-go-lucky free-spirited self.
Ms. D inspired me to keep drawing after the program was over. My dad loves to draw and after that summer we started drawing together. When I found out the summer program was going to happen again this summer, I found out where Ms. D was teaching and signed up. This summer was even better because not only did I get art with Ms. D, other artists also helped teach the science and math classes. I learned how ratios relate to music and how dance movements connect with science.
In Ms. D’s class, we created a mural that’s displayed here today illustrating Maya Angelou’s poem, “A Brave and Startling Truth.” The poem was confusing at first but the more we read it as a class it became easier to understand and inspired me to speak out about the positive and negative things that happen around me. I was able to use my voice through illustration again. I attended this program every single day and now I have two murals in my portfolio.
Now when I feel like I have something to express but don’t know how to say it, I draw it out. Thanks to Young Audiences, I have learned a lot about myself. I’m more observant and I know what a real friend is. I know who I am. So what if I’m not a girly girl, I’m fast and I can handle my business. When they call my clothes trashy, I don’t let it bother me because their shiny white sneakers always end up dirty in a few days. And when they talk about my weight, like the song “All About That Bass” says: “Every inch of me is perfect from the bottom to the top!”
Last year I had the highest grade point average in middle school and it is still sky-high. I have a scholarship to any college that I want. I plan to get a PhD and work for NASA. Thanks to the support of my family, a few good friends, and the Young Audiences artists who understand me like a parent would, I am going for my dreams. And while the summer program is over, what I learned from Ms. D, that “Everything is Everything,” will stay with me forever. What that means to me is that if you want to be something and you work hard, you will most likely become that. So keep an eye out for me.
Meet our new artists: FutureMakers
During the last two years, our roster has grown in size to encompass new artists, ensembles, and art forms. From slam poets to improvisers to Capoeira masters, these new artists are undeniably unique.
To introduce audiences to our new artists, we’ll be posting interviews with those who recently joined our roster, giving them a chance to share more about themselves and their experiences with Young Audiences so far. We recently sat down with Matt Barinholtz of FutureMakers.
What is your background as an artist?
FutureMakers started from work I was doing as a visual artist and sculptor with other makers and educators. I was frequently asked if I could bring the type of work I was doing to classrooms. I had met artists, engineers, and technologists that wanted to do projects with young people, but didn’t feel confident about how to approach it. I wondered if an organization could connect makers and educators, so both could build their skills.
During the summer of 2012, I was invited to work with a supportive cohort of community colleges in Maryland to bring STEAM workshops (Science, Technology, Engineering, Arts, Mathematics) into their summer programs for youth. Since then, we’ve steadily been growing our staff, or as we call them, coaches, and are excited to be working with Young Audiences to provide a formal pathway for those interested in joining FutureMakers to deliver programs to schools.
How did you hear about Young Audiences?
Someone shared a workshop offered by Pat Cruz, Young Audiences Education Director. I wasn’t able to attend, but reached out to Pat to find out how FutureMakers could learn from and work with Young Audiences. In 2013, we were invited to support a summer learning program in Harford County, and participate in the Teaching Artist Institute (TAI) Seminar. Through TAI, we developed a FutureMakers residency. We’ve been making things that wiggle, draw, glow, and do crazy stuff with kids ever since.
See these sculptures in action here!
What has been the most memorable part of the programs you’ve had through Young Audiences?
I was watching morning announcement videos at a school which used puppets created by students with TAI instructor and playwright John Morogiello. They were funny and sharp. It wasn’t about adults, it was about youth development with young people out in front. I was impressed by the way art was completely integrated into that school. It made me wish that more places would work and integrate this way.
What was your favorite part of the Teaching Artist Institute (TAI) Seminar? How has the experience changed your approach to teaching?
TAI solidified the way we at FutureMakers think about the pathway our coaches follow. It focuses our expertise and creativity on student engagement, measurable outcomes, and addresses the needs of our teacher partners. They get to see and do what they’d like within boundaries of what they need to do.
Our coaches are experiencing how maker education can connect in classrooms because of Young Audiences. Being observed, receiving feedback, and having scheduling and communications support is an enormous value that Young Audiences adds to our organization.
What does your art form–particularly as it relates to STEM subjects–teach students?
With technology, things are moving toward additive processes – for example, 3D printing, which is a process we incorporate in many community workshops. Traditional craft and art media are now expanding to incorporate materials often found in science or technology classrooms, or only available to higher education students. In a rapidly evolving, project-based learning world, coaches help young people embrace the design process in their creative lives – think like engineers to figure out how to solve a design challenge, and have the confidence to iterate, or try again, when things go in unexpected directions.
How do the lessons or skills you teach students apply to their everyday life outside of the classroom?
Students asking, imagining, planning, creating, and improving is the core of what we’re about. Young people have limitless imaginations, and are open to learning how to take a step back and ask questions. In the past, young makers followed plans or prescriptive examples to complete a project. We’re learning that truly effective coaches facilitate their discovery of paths and options that lead to mastery – supported by the design cycle.
Why do you believe art is important for every student to have access to?
Young people need to have the opportunity to try something and fail, and a coach who can help them through difficult spots. Art was the only thing that kept me focused and motivated in high school; it was my identity early on. When we’re working with students in upper-elementary and middle school, identity is a large and important part of what our residencies are about. Art is a fast path to forming and grabbing onto an identity, whatever the content is.
What is the most rewarding aspect of being a Young Audiences roster artist?
It’s incredibly validating to know as an organization we’re doing something that our school systems embrace. I think the most rewarding aspect is knowing that we’re working in a community of other practitioners who are phenomenal performing and visual artists and amazing coaches. That is a very rare mix, and we’re honored to be a part of it.
Learn more about FutureMakers’ offerings through Young Audiences.
Keep an eye out for more interviews featuring our newest roster artists! See past new artist interviews here.
November smART Tip from Katherine Dilworth
History and social studies curriculum can include subjects that are difficult to address. The brutality of past atrocities, such as the Holocaust and genocide in Rwanda, can be difficult for students to comprehend. In this month’s smART Tip, Young Audiences visual artist Katherine Dilworth explains how the art of felting and other visual arts can be a helpful entry point for students when dealing with difficult and emotional subject matter.
[youtube http://youtu.be/0ximBeqQ3Mo?list=PLUssR-3GtBZfiKXpU72zQAkgXh3wBcBzQ]
smART Tips is a monthly video series sharing tips for educators who are interested in new, creative ways to use the arts in their classroom with students. See all smART Tips to date here. Interested in a specific topic? Let us know!
Introducing: smART Tips
Young Audiences has launched smART Tips, a monthly video series sharing tips for educators who are interested in new, creative ways to use the arts in their classroom with students. Each month, we bring you a new video tip from a Young Audiences roster artist, ensemble, or teacher partner to demonstrate a short activity or a resource to make it easy to incorporate the arts into learning for students.
Check out our first smART Tip, from Young Audiences ensemble Baltimore Improv Group!
[youtube https://www.youtube.com/watch?v=mpkSC6SZKtA]
Be sure to check back for more smART Tips in the coming weeks. Interested in a specific topic? Let us know!
Breaking down barriers with the arts
By Kwame Opare, High Point High School Dance Teacher and Young Audiences teaching artist
I have had the privilege to work with a diverse group of learners in the Prince George’s County school system so far this school year. As a dance teacher for all grades at High Point High School, I have been faced with a challenge not yet experienced throughout my years of bringing my craft to the classroom as a teaching artist. High Point’s population is largely immigrant and first-generation American young people and English is often not the first language (or even second language in some cases) for many of my students. This has compelled me to modify, and even synthesize new instructional methods, to ensure the transfer of knowledge.
What I’ve noticed in this short but meaningful time is that no matter where you are on Earth, young people want to learn, they crave information. They will test you as the adult to see if you really care whether or not they get it, or if they even show up. I care, and in this short time, I believe that I have convinced my students of this. Now that I “got ’em,” the onus is on me to make sure they know that they have the right to learn and that they must take the process of learning into their own hands. Creating an environment where students feel confident and enabled to take ownership of their learning is essential to their growth as students and beyond. We as educators must only provide a framework of knowledge and wisdom that comes from study and experience in a safe environment so that the true capacity for brilliance can be nurtured in our young people.
What do the arts have to do with all of this? After all, it’s just dance. Through dance, I have seen the strengths and weaknesses of my students and have used them both to fortify my instructional methods. The brilliance of all my students is evident, but is often locked away beneath external and internal distractions, such as self-doubt, embarrassment, worries about what peers will think, or problems at home. Through dance, we can successfully weed through these distractions. Some of my students at High Point tell me their stories and in response I just ask them to please keep coming to class because they are a part of something now. Their growth from the first day of class to today has been a joy to observe and I feel so fortunate to bear witness.
At first they came in scared, terrified, some not knowing the English language, and nearly none of them knowing the language of dance. Though the proficiency levels vary, the feelings of frustration from the challenge is shared. Yet, we are starting to build a community of support and understanding with confident souls that know they CAN! Some of those who stood in the back of the class at first are finding their way to the front and are becoming leaders, helping others and welcoming newcomers.
In dance, the process often begins with what I refer to as the ugly duckling syndrome. “Feeling ‘stupid’ and looking ‘stupid’ is OK,” I tell my students. I remind them that we all looked “stupid” when we were learning to walk as babies but the alternative was to never run and we wouldn’t have that! The process is what makes art making so fulfilling and ultimately what makes a teaching artist so effective. Artists know and respect the strength of the process because we are immersed in it daily. Effectively bringing the idea of process into the classroom has a positive and lasting impact on students.
It is through these processes that students are engaged where they may otherwise be distracted or lack interest. The process instills in young people the ability to effectively gather resources, question, problem-solve, and persevere to see something through to the end, whatever challenges they may face in academy and beyond.
Meet our new artists: Valerie Branch
During the last two years, our roster has grown in size to encompass new artists, ensembles, and art forms. From slam poets to improvisers to Capoeira masters, these new artists are undeniably unique.
To introduce audiences to our new artists, we’ll be posting interviews with those who recently joined our roster, giving them a chance to share more about themselves and their experiences with Young Audiences so far.
What is your background as an artist?
I graduated from University of Maryland College Park (UMCP) with a Bachelor of Arts degree in Dance. Since graduation, I have been at the forefront and background of different dance organizations and have traveled around the world as a result of my passion for dance.
The first company I danced with was Lesole’s Dance Project, a traditional South African dance company where I was able to hone in on my leadership, creativity, organizational skills, and learn and appreciate a new form of dance. I served as rehearsal director, administrative and fundraising support staff and learned how to make a dance company successful. The Director and I worked together to create and organize an edu-dance program for young students in South Africa, which we were successful in implementing two years in a row.
In 2011, I was invited to Copenhagen, Denmark as a visiting artist to explore the country’s culture and art. As a result, REVISION dance collaborative (a company in which I co-directed its first season) had the opportunity to perform in and be part of the Kids Euro Festival where we performed in locations throughout Washington, DC.
How did you hear about Young Audiences?
I heard about Young Audiences through Laura Schandelmeir, who had partnered with Young Audiences through the Maryland Wolf Trap program as a teaching artist. Laura was one of my professors at UMCP and is a wonderful dance educator, and someone whom I have had the opportunity to be inspired by.
You recently completed the Teaching Artist Institute (TAI) Seminar this spring. What was your favorite part of the program? How has that experience changed your approach to a program or your teaching practices?
Saying that I loved the TAI program is an understatement. Though I have been working with students within and outside of the classroom for years, I felt that this program truly changed the way I think about and approach my lessons, teachers, and students. I really appreciated Karen Bernstein, the dance facilitator on staff. Karen truly guided and provided me with advice so I could grow. I felt that Karen was the true support that I needed. She gave me feedback when I needed it; let me struggle in order to figure out what I needed to do; and was there when I needed encouragement. So often in programs like this, artists just receive a generalization of arts education/arts integration and then have to figure out: “What should I do with my art form and where do I start?” It was helpful to receive a plethora of examples from different artists. I enjoyed that the staff was fun and made the experience fun.
What made you decide to become a YA roster artist?
I initially joined Young Audiences as a Maryland Wolf Trap Teaching Artist serving preschool classrooms. In my first year on the Young Audiences roster, my opportunities have grown tremendously to reach older students and I am appreciative of that. Being part of the Young Audiences organization, I truly feel like I am growing and developing as an artist–where I am right now in my career is exactly where I want to be. Taking this journey has allowed me to focus on my career, taking everything that I have learned and witnessed throughout the early stages in my career, and create something new.
Have you had any programs through YA yet? If yes, what was the most memorable part? If no, what are you most looking forward to?
I love teaching within the classroom and working with the teacher and the students to explore learning and understanding subject matter through movement. I am really looking forward to assemblies!
Why do you believe art is important for every student to have access to?
Children need to be allowed to think creatively and develop their own opinions. They need to develop their critical thinking skills at an early stage so that they have a clear understanding of why they think the way they do and why they feel a certain way about different situations. They have to develop their own understanding of how to accomplish tasks. The arts provide a creative outlet by allowing them to explore, imagine, and test new ideas. The arts target a different area of their brain, and once students have this experience it opens them to new possibilities. It allows them to take risks in the classroom that they may have been shy to before an arts experience. The arts help to develop self-confidence.
What does your art form in particular teach students?
Self-confidence, patience, respect for self and others, and focus. It also gives them an understanding of their own bodies–they find out new and exciting things that their limbs can explore, plus they learn their own limitations and to appreciate what others can do.
Learn more about Valerie Branch Dance Ensemble’s offerings through Young Audiences.
Keep an eye out for more interviews featuring our newest roster artists! See past new artist interviews here.